There is a new sweater in my closet. (Well, not quite in my closet yet. It’s actually on the floor at the moment, being blocked.) You may have caught glimpses of it on my Instaflick stream. Sally has been ribbing me on Facebook about the GREENness of it, given how many green sweaters I already have, but hey – this one is Granny Smith green. The others are teal, kelly, and pine. One can never have too many different shades of green in their wardrobe, I say. Am I right??
I’ll show you the sweater properly after I’ve blocked it, and had a backyard photo shoot (oh, my neighbors must wonder about me, when I head out there with my tripod and shutter remote…)
Today, let’s talk buttons.
I had a plan for these, but I got a little lazy in one step, and my plan went awry. Still, I soldiered on, and I’m happy enough with the results, that I think it’s worth showing you, mistakes and all.
I wouldn’t call this a full-blown tutorial, but if you have any experience with polymer, you should be able to figure out how to do what I did without too much trouble.
I started with two shades of green clay – one lighter than the sweater, and one darker. I believe they are both straight-out-of-the-package Premo, but I can’t be entirely sure, since I found them just laying there on my work table. I rolled both colors out on a medium setting of the pasta machine, and set the dark one aside. That was to be the base of the buttons.
The light clay was for the top of the buttons, and that’s where all of the embellishment needed to happen.
I used a method I originally learned from Ellen Marshall (or, at least, that was the plan at first):
I selected a few colors of chalk pastels, mostly green, mostly darker than the light clay.
I used my tissue blade to scrape some dust from the ends of the pastels.
Using my fingers, I colored the surface of the lighter clay with the pastels.
Then, I cut up the sheet and re-arranged it as shown.
At this point, I should have gotten my lazy butt off of the chair and gone looking for my acrylic rod so that I could roll the pieces and fuse the sheet back together. But, well, I was lazy, and instead I tried pressing it together with my fingers and then running it through the pasta machine, which worked okay, until I tried making more cuts and then, blech! The sheet became a total disaster area.
I very nearly balled the whole thing up, but for some reason, I paused.
Then, I took all of those screwed-up pieces and arranged them on the dark clay sheet. Hmmmm. It had potential.
I ran that mess through the pasta machine, and decided to proceed as if my original plan had worked: I would texture the sheet, and make buttons from that.
I used a texture sheet of my own design. I’ve used this several times before – it’s kind of my signature texture at this point. You might remember it from this jewelry collection a few years ago, among other things.
This time I got out of my chair and retrieved the acrylic rod. Lesson learned.
Once the texture was applied to the sheet, I began cutting out buttons. I always make a few more than I need, so that I can pick the best ones. My sweater needed 6 buttons, so I made 8.
I used my little button hole template to mark where the holes should go, and then I poked pilot holes.
In order to protect the powders on top of the buttons, and also to smear them around in a way that would enhance the visibility of the texture, I put a tiny bit of Liquid Kato Polyclay on my fingertip and rubbed it on top of each button. I repeated the process until I was happy with the way they looked, and then I baked them.
After they were cured and cooled, I drilled holes and lightly buffed them.
Now they are on my sweater, and I think they are such a nice match with the yarn! The texture is not as pronounced as I originally had hoped, but I have bonus texture on a lot of them, where the darker under-layer is showing through. That never would have happened if all had gone according to plan, but I really love that effect.
Hooray for lazy actions that pay off in the end!
Sometime in the next week or so, I’ll show you the sweater. If you’re a knitter and are looking for a long-term project, you might want to keep an eye out for it. This granny smith sweater is one I designed myself. I want to publish it, and I’ll be looking for test knitters to help me make sure the other sizes work!